While cognitive changes in aging and neurodegenerative disease have been widely studied, language changes in these populations are less well understood. Inflecting novel words in a language with complex inflectional paradigms provides a good opportunity to observe how language processes change in normal and abnormal aging. Studies of language acquisition suggest that children inflect novel words based on their phonological similarity to real words they already know. It is unclear whether speakers continue to use the same strategy when encountering novel (...) words throughout the lifespan or whether adult speakers apply symbolic rules. We administered a simple speech elicitation task involving Finnish‐conforming pseudo‐words and real Finnish words to healthy older adults, individuals with mild cognitive impairment, and individuals with Alzheimer's disease (AD) to investigate inflectional choices in these groups and how linguistic variables and disease severity predict inflection patterns. Phonological resemblance of novel words to both a regular and an irregular inflectional type, as well as bigram frequency of the novel words, significantly influenced participants' inflectional choices for novel words among the healthy elderly group and people with AD. The results support theories of inflection by phonological analogy (single‐route models) and contradict theories advocating for formal symbolic rules (dual‐route models). (shrink)

В первый том сочинений "лучшего критика 90-х годов" XIX века вошли отдельно изданные книги писателя, серия литературно-критических очерков и статьи, публиковавшиеся в газете "Московские ведомости".

This article examines a distinct form of moral argumentation found to be common in a corpus of 500 editorials and opinion pieces written in 23 US newspapers and news magazines between August and October 2002 debating whether or not the US should attack Iraq. The purpose of the article is to delineate this communicative phenomenon, which we call moral muting. Moral muting occurs when a message either blunts the moral considerations involved in a case or presents an equivocal moral meaning. (...) Moral muting overlaps with but is distinct from mitigation, and even when it involves mitigation, moral muting depends on devices that go beyond those generally associated with conversational mitigation. The examination of moral muting offered here contributes to a better understanding of moral communication in general and of the conduct of the American public sphere. (shrink)

We attempt to make superdeterminism more intuitive, notably by simulating a deterministic model system, a billiard game. In this system an initial ‘bang’ correlates all events, just as in the superdeterministic universe. We introduce the notions of ‘strong’ and ‘soft’ superdeterminism, in order to clarify debates in the literature. Based on the analogy with billiards, we show that superdeterministic correlations may exist as a matter of principle, but be undetectable for all practical purposes. Even if inaccessible, such strong-superdeterministic correlations can (...) explain why soft-, or effective, superdeterministic theories can be built. We counter classic objections to superdeterminism such as the claim that it would be at odds with the scientific method, and with the construction of new theories. Finally, we show that probability theory, as a physical theory, indicates that superdeterminism has a greater explanatory power than its competitors: it can coherently answer questions from probability theory for which other positions remain powerless. Since probability theory is, in a sense, the most unifying physics theory (all physical systems comply with it), this argument confers considerable weight. (shrink)

In this article I examine several passages in Greek choral lyric where the verb δείκνυμι is construed with a direct object meaning “song” or “hymn” and show that this usage finds an exact parallel in the Rigveda, where the cognate root diś- is likewise employed with “song (of praise)” as its object. Greekδεῖξαι ὕμνον, μέλος, etc., “to show forth song (of praise),” is thus argued to be an archaism of the melic poetry that goes back to the Indo-European poetic language. (...) The use of Latin dīcō of reciting verse ( dīcere carmen ) or singing praise ( dīcere laudēs ) in Augustan poets may continue the same inherited phraseology. Finally, based on these results I argue that the long problematic epithet ἀριδείκετος contains the root of δείκνυμι (and not of δέκομαι) and should be interpreted as “famous, well worth singing of, well worth praising (in song).”. (shrink)

The current study investigates how native speakers of a morphologically complex language handle uncertainty related to linguistic forms that have gaps in their inflectional paradigms. We analyze their strategies of dealing with paradigmatic defectivity and how these strategies are motivated by subjective contemporaneousness, frequency, acceptability, and other lexical and structural characteristics of words. We administered a verb production task with Finnish native speakers using verbs from a small non-productive inflectional type that has many paradigmatic gaps and asked participants to inflect (...) the verbs in a given context. Inflectional uncertainty was measured by the number of different forms the participants produced for each verb. We classified produced forms that were not expected as either synonymous or novel and measured their optimal string alignment distance to expected forms. Our analyses revealed that a usage-based approach to paradigmatic defectivity fits better with the obtained results than a classical approach typically met in dictionaries and descriptive grammars. Thus, we argue, that paradigmatic defectivity can be better described as a dynamic rather than a static system, where gaps represent a continuum of possible inflectional choices rather than a lack of an inflectional variant. (shrink)

This article examines the verbτιθαιβώσσω, a Homeric hapax legomenon of unknown meaning and etymology: it reviews its use in Hellenistic poetry and strives to provide a contextually plausible meaning for the verb (‘to sting’), as well as for the related adjectiveθιβρός(‘stinging, mordant, piquant’). It argues thatτιθαιβώσσωis etymologically related to Latinfīgere‘insert, pierce’,fībula‘pin’, Lithuaniandíegti‘to poke, sting’, and Tocharian Btsākā- ‘to bite’.

The origin of the verb zammurāi- is unknown. The goal of this paper is to 1) clarify the verb’s meaning and 2) its derivational morphology, 3) discuss its purported etymological connection with Lyc. zum̃ me ̃ / zum̃ mã and Luv. zamman-, and 4) propose an Indo-European etymology for the root, which, if correct, will make zammurāi- relevant for the continued debate about reflexes of Indo-European dorsal stops in Luvic languages.

The ‘New Apuleius’ is a set of Latin summaries of Plato's works first published in 2016 by Justin Stover, who attributed it to Apuleius. The present article attempts to assess two key aspects of Stover's argument, viz. his reconstruction of the manuscript transmission of the new text and his use of computer-assisted stylometric techniques. The authors suggest that both strands of his argument are inconclusive. First, it is argued that the transposition of gatherings in the archetype of the Apuleian philosophica (...) as envisaged by Stover is highly unrealistic. Second, replications of Stover's stylometric experiments show that their results are highly dependent on the particular algorithm settings and on the composition of the corpus. It is further shown that Stover's choice of highly specialized stylometric techniques is suboptimal, because popular generalist methods for statistical data analysis are demonstrably more successful in correctly identifying authors of Latin text fragments and do not support the case for Apuleius’ authorship of the new text. The authors conclude that there are no solid grounds to conclude that the ‘New Apuleius’ was indeed written by Apuleius. (shrink)

This paper examines the distribution of thematic infinitive endings in early Greek epic in the context of the long-standing debate about the transmission and development of Homeric epic diction. There are no aorist infinitives in - in Homer which would scan as -before a consonant or caesura (for example *). It is argued that this artificially ending - should be viewed as an actual analogical innovation of the poetic language, resulting from a proportional analogy to the futures. The total absence (...) of aoristic - in Hesiod is unlikely to be coincidental: the analogical form must have been the product of a specifically East Ionic Kunstsprache, and so could have been simply unknown in some other Ionian school of epic poetry where Hesiod was trained. Finally, the striking avoidance of anapaestic aorist infinitives in - is argued to be explained better under the approach to the Aeolic elements in Homeric diction than under the theory. (shrink)

Within the Hebbian paradigm the mechanism for integrating cell assemblies oscillating with different frequencies remains unclear. We hypothesize that such an integration may occur in cortical “interaction foci” that unite synchronously oscillated assemblies through hard-wired connections, synthesizing the information from various functional systems of the brain.

Even though hesitations (e.g.,um/uh) were historically perceived as involuntary non-linguistic items (e.g.,Maclay & Osgood 1959), more recently, a number of scholars have suggested that hesitations can behave like (a) lexical items (e.g.,Clark & Fox Tree 2002), and (b) at least in some contexts and with some functions as grammatical items like suffixes/clitics (Kirjavainen, Crible & Beeching 2022;Tottie 2017). The current study contributes to this body of work and presents two spoken language corpus analyses (frequency analysis; network analysis) investigating the nature (...) of the Finnish planning particletota.Our results suggest thattotais more similar to grammatical items than lexical items. (shrink)

This article approaches defective and overabundant paradigm cells as an opportunity and pitfall for usage-based linguistics. Through reference to two production tasks involving native speakers of Czech, we show how definitions of these two categories are problematized when multiple forms per context are entrenched, or when pre-emption seems to occur in the absence of entrenchment: in other words, pre-emption occurs via entrenchment of uncertainty. We explain the results by adopting a broader, usage-based perspective. We examine the relationship between frequency (as (...) proxy for exposure) and reference-work information (as proxy fora prioristructure) to assess their connection with our experimental results. We assign a role to frequency as helping to form perceptions of “suitable” and “unsuitable” forms, but also note places where non-frequency factors predominate. “Structure” as represented by reference-work recommendations appears to have no significant connection to our experimental results; we discuss reasons for this. (shrink)